On Voices in Movements, and their Images

click for video: Quicktime / .m4v for iPods/iPad / direct streaming for PC

"... it is necessary that the perception maintain in its depth all their corporal ties: it is by voodling, it is still with my eyes that I arive at the true thing, with the same eyes that a moment ago gave me monocular images - now they simply function togehter as though for good. Thus the relation betwen things and my body is decidedly singular: it is what makes me sometimes remain in apprearances, and it is also what sometimes brings me to the things themselves..."

Continuing the ongoing inquiries on body and space morphologies, Sam Renseiw investigated the simultaneity of onomatopoetic moves and inspired writing, in the midst of Movements and their Images. View the jump-cutted concoction of Stine and Gerd's footage in sublime contemporary confinement with Linda's work by clicking here or on the links above. (patafilm # 803b, 06'16'', 141MB(!), Quicktime/mov - other versons at Bliptv)

Today's Bonus Lumiere Video is a restrained, framed repo-view, from the same fine premises. (lum # 293, 01'00'', 14 MB, Quicktime/mov)

transition to attentive recognition

…” Also a memory, but a memory profoundly different from the first, always bent upon action, seated in the present and looking only to the future. It has retained from the past only the intelligently coordinated movements which represent the accumulated efforts of the past ; and it recovers those past efforts, not in the memory-images which recall them, but in the definite order and systematic character with which the actual movements take place. In truth, it no longer represents our past to us, it acts it ; and if it still deserves the name of memory, it is not because it conserves bygone images, but because it prolongs their useful effect into the present moment….”

Smile, you know . Yes, it is her, indeed. Re-collected by Sam R., fresh from the original location. Go into the matter here, or consult Henri B. on the subject.