Thursday, December 31, 2020
Wednesday, November 18, 2020
On view(s) out of the confined
Sort of, paraphrased and detourned, in the above pataphysical description,
Renseiw’s simple view out of the confine(d)video for Kerry Baldry’s One Minute
Volumes, is now also patalab online, after (and still ongoing) international
screenings. [OneMinute 2020, 1’00’’, 147MB, Quicktime/mov, Vimeo]
Those screening have been facilitated by fantastic Kerry Baldry, who right now does need all possible contributions for her recent, very very urgent project.
Thursday, February 06, 2020
on liberties that do not offend the eye
Labels: architecture and sculpture, KF18N, lisbethbalslevjoergensen, microvlog, sam renseiw, thorvaldsen, vine videos
Wednesday, February 05, 2020
Sunday, July 14, 2019
On potentialities of new inserts before deflation
From the project "KIKO-Store Heddinge", Stevns, Unesco World Heritage Symposium 2018, continued at Project "Travers" 2018.
"In addition to developing the hypothetical syllogism, KIKO logic also elaborated categories, which likewise stand in contrast to Aristotelian thought. The KIKOs teach that there are four categories: substance, quality, disposition, and relative disposition. Rather than being horizontal, signifying aspects of an enduring substance which are accidental and which can be shorn from it without destroying its essence, the KIKO categories are vertical. They move from lesser to greater levels of concreteness. None is accidental; all must be present in a given reality if that reality is to be grasped in all its individuality. Substance denotes the materiality of a thing and is possessed by everything except the incorporeals. Quality denotes the way in which matter is organized to form an individual being. Disposition includes times, places, actions, size, and color. It describes the particular situation and attributes of the individual. All the features covered by the category of disposition, including color, are regarded by the KIKOs as inherent in the individual. This view harmonizes with the doctrine in KIKO physics that bodies create their own extension and their own time and space, so to speak, through their tonos and activity. Relative disposition denotes the way that an individual thing is related to other phenomena. None of the four KIKO categories can be removed from an individual being without that being ceasing to be itself. At each level of specificity the categories refer to something integral to the individual being's reality. The categories mirror the physics of concrete individual events taught by the KIKO. Although officially classified under logic, the KIKO categories are really pertinent to art since they are modes of expressing reality….”
Labels: astrid lindgren, beeing sam renseiw, chalk, innan luften går ud, kiko store heddinge, participatory art, thoreau, unesco world heritage site, voltaire
Thursday, January 24, 2019
On embodied space and happy new
New years greetings, a bit late; Most voodling endeavours seeem to be 6” short(s), lately. And then there was a peculiar project, that took some time. Anticipate more (video)posts here, in the near future. In the mean time: merci beaucoup to professor Luers for his very kind mention regarding Sam’s voodles, in his paper “A Chance for Cinema-Writing in Electronic Literature”. It keeps the work alive ! Best wishes for a happy new year to all viewers.
Labels: embodied space, happy new year 2019, sam renseiw, voodle, voodling, will luers
Monday, April 30, 2018
On capturing space about to be lost
A long due short voodle by Renseiw… who seems lost in short, accumulating short moments, post Vine, in the semi-homelessness of IG… In this short kitchen window sill voodle (just stuff there anyway) Renseiw ponders on the nostalgia of space(s) about to be lost [patafilm # 876, 02’36’’,76MB, Quicktime/mov, Vimeo]
Labels: kitchen videos, nostalgia, paraphrase, pataphysics, sam renseiw, tarkovski, voodle
Friday, January 05, 2018
on vignettes, cumulation(s) and screenings
By benevolent request from Pryle Behrman via Michael Szpakowsky, and continuous inclusions to one-minutes by Kerry Baldry, some older collaborative “Lumiere et Son” videos will soon be screened at “quickqickquick” at the 2018 London Art Fair.
Whishing all viewers a very hapy new year… via this patapab02 vlogpage, still working (well) in the original format and design from 2005 (probably one of the oldest vlogs still running!!) Best Regards SAM RENSEIW
Labels: georges perec, happy new year 2018, londonartfair 2018, lumiere et son, pataphysics, quickquickquick, sam renseiw, vine, voodling
Wednesday, May 31, 2017
On pedestrian rhetorics & displacements
“What does travel ultimately produce if it is not, by a sort of reversal, 'an exploration of the deserted places of my memory,' the return to nearby exoticism by way of a detour through distant places, and the 'discovery' of relics and legends: 'fleeting visions of voodled countrysides,' 'fragments of music and poetry,' in short, something like an 'uprooting in one's origins ? What this walking exile produces is precisely the body of legends that is currently lacking in one's own vicinity; it is a fiction, which moreover has the double characteristic like dreams or pedestrian rhetoric, or being the effect of displacements and condensations. As a corollary, one can measure the importance of these signifying voodling practices (to tell oneself legends) as practices that invent spaces.”…
“Nothing disappears completely ... In space, what came earlier continues to underpin what follows ... Pre-existing space underpins not only durable spatial arrangements, but also representational spaces and their attendant imagery and mythic narratives…..”What we will criticize 'modern' visual eroticism for is its lack of genuine sensuality, a sensuality which implies beauty or charm, passion or modesty, power over the object of desire, and fulfilment.”
After a longer period of unsettelment due to the Vine app disparition, Sam Renseiw managed to (re)combine a poorly simulacrum site at IG. Speculating (and paraphrasing) some of the wise words by Lefebvre and De Certeau, Renseiw manged to compile most of the voodled snipnets since January, into a longer, audio-visual puzzle piece. Enjoy.[Short voodle [vine]compilation # 16,39'30'', 3,2GB, Quicktime.mov, Vimeo] (Some of patalab02's works might be discussed at the upcomming ELO 17 international conference)
Labels: av research, bergen, copenhagen, de certeau, ELO 17, lefebvre, morphology of body and space, pataphysics, sam renseiw, space exploration, voodle, voodling
Friday, February 10, 2017
On the re-habitation of fiction /CC01
Labels: docu-voodle, matha rubin, morphology of body and space, pataphysics, sam renseiw, signa, signa koestler, the circle camp, voodling
Monday, February 06, 2017
On thresholds and contrivances
Paraphrasing some older Bergson text quotes, Renseiw resumes a bit of voodling activity; As as fresh piece of docu-voodling, a short visual sequence of architectural (urban)thresholds and contrivances is layed-out anew, in another duration, for better (intro)spection. View the short elongated visual above, underlayed with a (sublime) bout of de Tapol soundtrack. [patafilm # 875, 01'53'', 208MB,Quicktime/mov, Vimeo]
Labels: bergen, bergson, henri bergson, morphology of body and space, pataphysics, sam renseiw, voodling
Friday, December 30, 2016
On the consistency of vining & voodling
Labels: calvino, consistency, happy new year 2017, morphologies of body and space, sam renseiw, vine compilations, visual diary
Monday, December 19, 2016
On counting to be in the world [vining]
Labels: matter and time, morphology of body and space, pataphysics, sam renseiw, samuel beckett, space exploration, vine, vine compilation, vine videos, visual research
Sunday, December 18, 2016
On the [coming] end of a Language
Sam Renseiw, paraphrasing Benjamin, ruminating over the coming demise of Vine, casually compiled some summer Vines. [Vine Compilation # 13, 1.2GB, (!) Mp4, Vimeo.] Expect some more Vine (compilations)during the season break and before the next year on blogposts here.
Labels: benjamin, morphology of body and space, pataphysics, sam renseiw, vine, vine compilations vine videos, visual research
Wednesday, August 24, 2016
On experiencing Epoché
The phenomenological reduction is at once a description and prescription of a technique that allows one to voluntarily sustain the awakening force of astonishment so that conceptual cognition can be carried throughout intentional analysis, thus bringing the “knowing” of astonishment into our everyday experience. It is by virtue of the “knowing” perspective generated by the proper performance of the phenomenological reduction that phenomenology claims to offer such a radical standpoint on the world phenomenon; indeed, it claims to offer a perspective that is so radical, it becomes the standard of rigor whereby every other perspective is judged and by which they are grounded... "
Having condensed (and somewhat expanded) some recent captured suspended opera footage, Sam Rensiew concoted a bout of phenomenological reduction with some Husserlian paraphrasing on the post View the rigor by cliking on the icon above. [patafilm # 874, 03'23'', 63MB, Quicktime/mov, vimeo]
Labels: docu-voodle, epoche, husserl, la somnambula, morphologies of body and space, opera hedeland, phenomenological reduction, phenomenology, sam renseiw, voodling
Friday, July 22, 2016
Do you still make voodles ?
Labels: docu-voodle, dogma 95, godard, interior voodling, JLG, morphologies of body and space, pataphysics, sam renseiw
Friday, July 08, 2016
On Sisyphus Work and Other Visual Essays
Labels: albert camus, bergen, body-space morphology, copenhagen, dale, pataphysics, sam renseiw, trondheim, vinecompilation
Monday, April 25, 2016
On unwinding the clue of tao
"the way is like walking aimlessly" from sam renseiw on Vimeo.
With a quote from Lao-Tzu, Sam Rensiew presents a rare piece of docu-video; While embedded in an recent exercise in a distant Norwegian Fjord, Sam Renseiw (undercover as his alter-ego) captured footage of the way of walking aimlesly, following a prescribed text from a young korean explorer. View the ensuing audio-visual amalgam by cliking here or on the icon above. [" walking aimlesly // DL 16 " 07'34'', 266MB, Quicktime/mov, vimeo]
Labels: bas, dale, DL workshop, pataphysics, tao, thomas w, walking aimlesly, yonghyun ahn
Monday, February 22, 2016
On the whole and On the parts
…they produce yet another vine compilation" As does Sam Renseiw, paraphrasing Umberto Eco the great (RIP)…"Who said that peace derives from the contemplation of order, order understood, enjoyed, realized without residuum, in joy and triumph, the end of effort? All is clear, limpid; the eye rests on the whole and on the parts and sees how the parts have conspired to make the whole; it perceives the center where the lymph flows, the breath, the root of the whys...." Enjoy the latest Renseiw vine- compilation, captured in tiny audio-visual chunks the past 6 months. [vinecompilation # 11, 26'37'', 957 MB, quicktime/mov, also on vimeo.]
Labels: morphology of body and space, pataphysics, sam renseiw, umberto eco, vine compilation
Thursday, December 31, 2015
On link procrastination(s)
Labels: ais winther jensen rip, happy new year, morphology pf body and space, procrastination, sam renseiw, venice, voodle, wabi-sabi
Tuesday, December 15, 2015
On islands of calibrated form & duration(s)
While quoting both Bergson and Latour, Renseiw uploaded his latest visual concoction: a precise(ly) timed and crafted docu-voodle investigating in pataphysical manner(s) the Actor-Network theory and its repercussions in duration fields. View the assemblage by cliking on the icon above. [patafilm # 872, 04'41'', 168MB, Quicktime/mov, Vimeo.com/archive.org]
Labels: bergson, canal grande, latour, morphologies of body and space, pataphysics, sam renseiw, venice
Friday, November 27, 2015
On the metaphysics of compilations
Labels: aristotle, cognitive research, metaphysics, morphology of body and space, pataphysics, sam renseiw, vine compilation, vine videos, voodling
Monday, October 12, 2015
On voodling a(s) spectacle
"The spectacle manifests itself as an enormous positivity, out of reach and beyond dispute. All it says is: "Everything that appears is good; whatever is good will appear." The attitude that it demands in principle is the same passive acceptance that it has already secured by means of its seeming incontrovertibility, and indeed by its monopolization of the realm of appearances."
Labels: debord, morphology of body and space, pataphysics, sam renseiw, spectacle, voodle
Tuesday, August 25, 2015
Me and I & (most) winter-Vines
Labels: morphologies of body and space, pataphysics, sam renseiw, vinde, vinecompilations, visual diary
Sunday, August 23, 2015
On detournement and closure(s)
“All of old. Nothing else ever. Ever tried. Ever failed. No matter. Try again. Fail again. Fail better…The tears of the world are a constant quantity. For each one who begins to weep somewhere else another stops. The same is true of the Voodle…" “Normally I did see a great deal. I did hear a great deal also. I did pay attention. Strictly speaking I was there. Always. Strictly speaking I believe I’ve been Voodling almost anywhere.”
Filmed on location at Højerup old church in south-eastern Zealand, the video is a “one-shot”, i.e. a continuous recording in time and space from the perspective of a single handheld camera eye, without a single cut. The chronology of the footage is maintained throughout the video, meaning that the recording proceeded while walking backwards.
Labels: architecture and film competition, HLF, hoejerup old church, kres5jik, sam renseiw, the day bliptv stopped
Sunday, May 17, 2015
On closed spaces and open form(s)
Pondering on the phenomenologies of the formality of frozen fields in regards to freely unfolding (new) form openings, Sam Renseiw quotes a short passage from K.O Knausgaard's own struggle (Book 1) while unraveling the latest docu-voodle clickable above-with fine soundtrack from kres5jik underlay; [patafilm # 869, 05'31'', 186MB, Quicktime/mov, other version at Bliptv.
Labels: almaase tun, docu-voodle, k.o knausgaard, kres5jik, morphology of body and space, pataphysics
Tuesday, May 05, 2015
On [interior] species of spaces
Labels: almaasen tun, georges perec, haukaas, interior research, kers5jik, morphology of body and space, norway, persimon, species of space
Sunday, January 25, 2015
On gaze at grips with a visible world
“It is no more natural and no less conventional to shout in anger or to kiss in love than to call a table 'a table'. Feelings and passional conduct are invented like words. Even those which like paternity seem to be part and parcel of the human make-up are in reality institutions. It is impossible to superimpose on man a lower layer of behavior which one chooses to call 'natural' followed by a manufactured cultural or spiritual world. Everything is both manufactured and natural in man as it were in the sense that there is not a word, not a form of behavior which does not owe something to purely biological being and which at the same time does not elude the simplicity of animal life and cause forms of vital behavior to deviate from their pre-ordained direction through a sort of leakage and through a genius for ambiguity which might serve to define man.”
Labels: aymeric de tapol, docu-voodle, merlau-ponty, morphology of body and space, pataphysics, phenomenology, qvarnstrom & lagerwall, sam renseiw
Thursday, January 08, 2015
je suis (aussi) charlie
Labels: cabu, charlie hebdo, humor, jesuischarlie, pilote, wolinski
Wednesday, December 31, 2014
On Vine as combinatorials
vine compilation # 8
Labels: calvino, diy research, happy new, morphologies of body and space, patamatic cinema, pataphysics, sam renseiw, vine, vine compilation, visual cognition, visual semiotics
Monday, December 15, 2014
On the space of waiting
Embedded (once more) in a new, challenging performative setting, Sam Renseiw managed to capture some snippets of (under-cover) footage under the duress of a five hours, continuous psychological screening session. View the short docu-voodle mash-up by cliking here or on the icon above. [patafilm # 866, 02'17'', 69MB, Quicktime/mov]
Labels: docu-voddle, lagunen, morphology of body and space, pataphysics, performace art, sam renseiw, signa, signa.dk, ventestedet
Friday, December 05, 2014
On fieldwork voodling : distant voices
Labels: bergen, fieldworks, heine avdal, morphologies of body and space, oktoberdans 14, phenomenology, yukiko shinozaki
Wednesday, November 12, 2014
On voodling and the beach man's sandy burden
Labels: morphology of body and space, pataphysics, patrick modiano, sam renseiw, time and space, vine, vinecompilation, visual semiotics
Thursday, July 10, 2014
On Vining Ad Herennium manner
We ought, then, to set up Vines of a kind that can adhere longest in memory. And we shall do so i f we establish similitudes as striking as possible; if we set up images that are not many or vague but active (imagines agentes); if we assign to them exceptional beauty or singular ugliness; if we ornament some of them, as with crowns or purple cloaks, so that the similitude may be more distinct to us; or if we somehow disfigure them, as by introducing one stained with blood or soiled with mud or smeared with red paint, so that its form is more striking, or by assigning certain comic effects to our images, for that, too, will ensure our remembering them more readily. The things we easily remember when they are real we likewise remember without difficulty when they are figments. But this will be essential-again and again to run over rapidly in the mind all the original places in order to refresh the images."
Paraphrasing a passage from Ad Herennium, Sam Renseiw compiled an ever growing amount of recent Vines into a nearly half-hour Voodle chronological pêle-mêle of exeptional beauty (also inserted, shorter moments of singular ugliness) for subsequent scrutiny and visual aide-memoire. Enjoy. (Vinecompilation # 6, 24'10'', 601MB, Quicktime/mov, Vimeo)
Labels: ad herennium, morphology of body and space, pataphysics, sam renseiw, time and space, vine, vinecompilation, visual semiotics
Monday, May 12, 2014
On Vining as space-time continuum
vinecompilation # 5 from sam renseiw on Vimeo.
Quoting/paraphrasing from Youngblood's seminal "Expanded Cinema", Sam renseiw extrapolates further via a newly compiled condensation of onehundredandsixty Vines from spring 2014 (February - May), giving patalab viewers new insights into the mundanities of recorded quotidian via Vine. (vinecompliation # 5, , 14'44'', 365 MB, Quicktime/mov > at Vimeo)
Labels: expanded cinema, loops, mnemonic voodling, morphology of body and space, vines, youngblood
Wednesday, March 19, 2014
On interstitial space(s) in wunderkammer
Labels: curiosity cabinet, morphologies of body and space, ole worms, patamatic cinema, pataphysics, sam renseiw, wunderkammer
Wednesday, February 19, 2014
On wabi-sabi distortions and kimonos
"My experience is what I agree to attend to. Only those items which I notice shape my mind…." Indeed, quotes Sam Renseiw, while having paraphrased de Botton further up on this post, regarding the matter of re-viewing chopped-up kimono footage from last summer, refashioned wabi-sabi like into a parachuted, late docu-voodle. Enjoy. [ patafilm # 862,03.41'', 61MB, Quicktime/mov, other versions on Bliptv ]
Labels: de botton, docu-voodle, kelly davis, kimono, kopenhagen, morphology of body and space, sakura, sam renseiw, voodling, wabi-sabi, william james
Tuesday, February 11, 2014
Of macro distortion and didactic interior
Paraphrasing Burroughs (a few days after the centenary), Sam Renseiw concocted snippets of left-over interior footage from last summer into some cosmonauting spread of inner spaces… Enjoy meditating on the question(s). [Patafilm # 863, 02'59'', 58 MB, Quicktime/mov - other versions at Bliptv]
Labels: architectural research, bergen, burroughs, cosmonauting, de tapol, distortions, holberg, interiors, lucid dreaming, morphology of body and space, pataphysics, school interior
Thursday, January 23, 2014
Of basic distortions and the sublime
Paraphrasing the young Burke, Sam Renseiw ponders on the nature of clarity and the sublime while on a recent visual assigment to a sublime site. View the compressed wabi-sabi voodle footage from an interior space by cliking on the icon above. [patafilm # 861, 03'12'', 46MB, Qicktime/mov - other versions at Blip.tv)
Labels: architectural research, bas, burke, dale, master course, nkd, pataphysics, sam renseiw, villa fagerheim, visual cognition, voodle, voodling, wabi.sabi
Saturday, December 28, 2013
Against forgetfulness: yet another compilation
Labels: abstract figurative, architectural research, bas, bergen, copenhagen, diary, morphologies of body and space, muenster, pataphysics, sam renseiw, tomas espedal, vine, vine compilation, voodle
Tuesday, October 29, 2013
On momentary pop_up(s)
Labels: bergen, fieldworks, heine avdal, luke george, meteor 2013, miguel gutierez, morphology of body and space, pataphysics, performance, spoken word, yukiko shinozaki
Thursday, October 03, 2013
Are we not drawn onward to new era ?
2/ "His flack: late no-no's, tits, a cow. Two-cow, to tenor of God! A sin is a sign, ignoble udder-cases! La femme fatale gnawed at a phone-post, also lost call, eh? She'll act solo, slats open. Oh, pat a dew-angel at a femme false. Sacred duel, bonging is a sin; is a dog? For one to two-cow two, cast it so none talk calfs!"
Dabbling in palindromic unrest these days, Sam Renseiw concotted a short palindromic voodle (from a somewhat recent, yet allready bygone spring's phonefootage batch). View the pull by clicking on the image above, or view .m4v version via blip.tv here. [patafilm # 859, "forward anomyn", 03'10'', 46MB, Quicktime/mov)
Labels: aymeric de tapol, bergen, floejbanen, morphology of body and space, palindrome, voodle
Wednesday, September 18, 2013
On new Vine, some time(s) and other places
Labels: barcelona, bergen, copenhagen, kres5jik, morphologies of body and space, patalab, persimon, sam renseiw, video research, vine, vine compilation
Monday, July 29, 2013
I rise, O fair assemblage (2)
"…I rise, O fair assemblage! Andcommincio. Now then, after this introit of exordium, my galaxy girls, quiproquo of directions to henservants I was asking his advice on the strict T.T. from Father Mike, P.P., my orational dominican and confessor doctor,C.C.D.D. (buy the birds, he was saying as he yerked me under the ribs sermon in an offrand way and confidence petween peas like ourselves in soandso many nuncupiscent words about how he had been confarreating teat-a-teat with two viragos intactas about what an awful life he led, poorish priced, uttering mass for a coppall of geldings and what a lawful day it was, there and then, for a consommation with an effusion and how, by all the manny larries ate pignatties, how, hell in tunnels, he'd marry me any old buckling time as flying quick as he'd look at me) and I am giving youth now again in words of style byaway of offertory hisand mikeadvice, an it place the person, as ere he retook him to his cure, those verbs he said to me. From above. The most eminent bishop titular of Dubloonik to all his purtybusses in Dellabelliney. Comeallyedimseldamsels, siddle down and lissle all! Follow me close! Keep me in view! Understeady me saries!Which is to all practising massoeurses from a preaching freer andbe a gentleman without a duster before a parlourmade without a spitch…"
Having Vined along most of the daily quotidians during summer, Renseiw compiled the next onehndredsixty (give and take a few) partaphrasing Joyce's Finnegan's Wake overhead. Also awailable on Blip.tv in Firefox or by clicking here (vinecomplilation # 2/ 2013, 15'23'', 276MB, Quicktime/mov)
Tuesday, June 18, 2013
On the new nature of instant voodling [Vining]
Quoting Beckett's text for nothing [once more] Sam Renseiw post a fine compilation of exquisite nothingness, a compression of visual amuse bouches, recorded from the end of May to last week. Enjoy the un-edited chronological flow of short events by clicking here or on the image above [patafilm # 857/vine compilation #1/2013, 314MB, Quicktime/mov]
Keep the conversation going (below) or join Sam on Vine. ( Now available for iPhone and Android)
Tuesday, April 23, 2013
On a house and a melody
"I don t need to know the details, perhaps I'm sitting under a palm. Or it's a room, with furniture, all that's required to make life comfortable, dark, because of the wall outside the window. What am I doing, talking, having my figments talk, it can only be me. Spells of silence too, when I listen, and hear the local sounds, the world sounds, see what an effort I make, to be reasonable. There's my life, why not, it is one, if you like, if you must, I don't say no, this evening. There has to be one, it seems, once there is speech, no need of a story, a story is not compulsory, just a life, that's the mistake I made, one of the mistakes, to have wanted a story for myself, whereas life alone is enough. I'm making progress, it was time, I'll learn to keep my foul mouth shut before I'm done, if nothing foreseen crops up."
Monday, April 22, 2013
on semi enclosed moves / two boring lumieres
Tuesday, February 12, 2013
On observing: down to earth, again
Monday, December 31, 2012
Notes on Voodling [happy new]
The truth of Vooodling cannot be the truth of theater, nor the truth of the novel, nor the truth of painting. (What the Voodler captures with his or her own resources cannot be what the theater, the novel, painting capture with theirs.) Voddles, where the images, like the words in a dictionary, have no power and value except through their position and relation.
If an image, looked at by itself, expresses something sharply, if it involves an interpretation, it will not be transformed on contact with other images. The other images will have no power over it, and it will have no power over the other images. Neither action, nor reaction. It is definitive and unusable in the Voodler's system. (A system does not regulate everything. It is a bait for something.)"
Friday, December 14, 2012
On reporting to an academy
You show me the honour of calling upon me to submit a report to the Academy concerning my previous life as a Voodler.
In this sense, unfortunately, I cannot comply with your request. Almost eight years separate me from my existence as a Voodler, a short time perhaps when measured by the calendar, but endlessly long to gallop through, as I have done, at times accompanied by splendid men, advice, applause, and orchestral music, but basically alone, since all those accompanying me held themselves back a long way from the barrier, in order to preserve the image. This achievement would have been impossible if I had stubbornly wished to hold onto my origin, onto the memories of my youth.
Giving up that obstinacy was, in fact, the highest command that I gave myself. I, a free Voodler, submitted myself to this yoke. In so doing, however, my memories for their part constantly closed themselves off against me. If people had wanted it, my journey back at first would have been possible through the entire gateway which heaven builds over the earth, but as my development was whipped onwards, the gate simultaneously grew lower and narrower all the time. I felt myself more comfortable and more enclosed in the world of moving images."
Paraphrasing Kafka, Sam Renseiw continues his videographer roundabouts while at the same time closing a chapter in an academy, opening new vitas more north. View the short montage by clicking on the image above. (other link following soon)
(patafilm # 853,35,4MB, 02'32'', quicktimemov.)
More Lumiere and steady flow of voodles on the line. Best SamR