Thursday, April 19, 2007

On the love for concepts and images


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"Images and concepts are formed at opposite poles of mental activity: imagination and reason. A polarity of exclusion plays between them, in a way utterly unlike that of magnetic poles. In this case, the opposite poles do not attract , but repel. If one loves concepts and images, the masculine and feminine poles of the psyche, one must love mental powers with two different loves."

Everyone has within himself his own somnambulist, of whom he is the mesmerist... is Sam Renseiw's relevant paraphrase of J.W. Ritter while conceptualising The Poetics of Space in a corner of canteen footage. View the short dialectic moving visual, with scratch-acordeon accompagnement by clicking here or on the links above. (patafilm # 395, 01'45'', 7.8 MB, quicktime/mov - flash version at blip.tv)

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Thursday, April 12, 2007

Matter is dreamed in Reveries


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" Since reverie is always considered in terms of a relaxed consciousness, one usually ignores dreams of definite action, which I will designate as reveries of will. Furthermore, in the presence of reality, with all its forces and its terrestrial matter, it is easy to believe the the function of reality rules out the function of unreality, and easy to forget the unconscious impulses, the oneiric forces ceaselessly overflowing into conscious life."

As creative imagination has quite different functions from those of reproductive imagination, Sam Renseiw, paraphrasing Bachelard, proceeded to re-manipulate ordinary pixel reverie footage of spring. View the short animated poetic by clicking here, or on the links above. (patafilm # 391, 01'14'', 5.6 MB, Quicktime/mov - Flash version at Blip.tv)

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Thursday, March 22, 2007

On fancy versus constructive imagination


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"There are two kinds of imagination: fancy, which is relatively passive, and constructive imagination, which is relatively active. Constructive imagination is dominated by a systematic unity of plan controlling the process of selective combination. Fancy, on the contrary, forms new combinations, which are relatively detached and sporadic instead of being integral parts of a whole."

Inasmuch as imagination is conditioned by absence of the objective control which belief essentially involves, belief and imagination are mutually exclusive, muses Sam Renseiw while capturing imaginative footage of soma delicate hand-paintings. View the iconolatry by clicking here, on the icon or other appropriate links. (patafilm # 373, 03'06'' 8.7 MB, Quicktime/mov - Flash version at Blip.tv)

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