Trough the passage of time

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A:"Till now I have never shot a scene without taking account of what stands behind the actors because the relationship between people and their surroundings is of prime importance." B:"Film as dream, film as music. No form of art goes beyond ordinary consciousness as film does, straight to our emotions, deep into the twilight of the soul"

With the sudden departure of both Bergman and Antonioni, Sam Renseiw briskly voodled un-montaged footage into a single frame. In contrast to Ingmar Bergman's massive close-ups of the face in which the subject stares straight out at the viewer and Antonioni's here on- and off-screen subjects gazing ahead at the same vista, today's voodle brings about an unnerving trifle of framed affectivity. View the road movie exploring a static reality by clicking here or on the links above. (patafilm # 465, 02'08'', 13.1MB, Quicktime/mov - Flash version at blip.tv)