On figure-ground perceptions

click for video: Quicktime / .m4v for iPad/iPod / direct streaming for PC

" And the music itself was wonderful. At first it struck me as exaggerated, artificial, even incomprehensible. Little by little, though, with repeated listenings, a vague image formed in my mind--an image that had meaning. When I closed my eyes and concentrated, the music came to me as a series of whirlpools. One whirlpool would form, and out of it another would take shape. And the second whirlpool would connect up with a third. Those whirlpools, I realize now, had a conceptual, abstract quality to them ... With ears perked up and eyes closed, I imagined the existence of a certain place. This place I imagined was still incomplete. It was misty, indistinct, its outlines vague. Yet I was sure that something absolutely vital lay waiting for me there.."

While paraphrasing Murakami (again) Sam Renseiw, slowly shifting gear from splintered, stressfully decontructed workpatterns to (hopefuly) more friendly, northbound comming environments, composed a simple aller-retour-voodle from slightly older footage. View the figure-ground slide by clicking here or on the links above.(patafilm # 788, 02'15'', 27.5MB, Quicktime/mov -other versions at Bliptv)

Today's Bonus Lumiere Video is a very straight forward illumination. [Lum # 281, "candela" , 01'00'', Quicktime/mov)

On the semantics of portrait voodling

click for video: Quicktime / .m4v for iPhone/iPod / direct streaming for PC

The hallmark "blur"—sometimes a softening, sometimes almost a hard smear —has two effects: 1. It offers the footage a painted appearance; and 2. Paradoxically, it testifies the voodler's editing actions, both skilled and coarse, and the plastic nature of the voodle itself. In some voodles blurs and smudges are severe enough to disrupt the footage; it becomes hard to understand or believe. The subject is nullified. In these voodles, images and symbols (such as landscapes, portraits, and other footage) are rendered fragile illusions, fleeting conceptions in our constant reshaping of the world."

Re-considering dogmas on documentary clarity, Sam Renseiw smudges portrait footage with virtual brush strokes. Posted the same day as Richter's London opening, the moving footage atempts to re-frame the semantic fixtures of the portrait voodle. Click here or on the links above to view. Patafilm # 665, 03'31'', 28.5MB, Quicktime/mov - Other versions at Blip.tv)

Today's Bonus Lumiere Video features a quiet sunset, in a particular window. (Lum # 180, "setting" 00'59'', 6.6 MB, Quicktime/mov).
Sadly, this week one of the worlds finest architects passed away. A previously posted Lumiere captured his fine didactics in a public space.(lum # 176, "sverre's didactics " 0'59'', 6MB, Quicktime/mov)