Friday, March 24, 2006

First step externalizing



"... Said of the event which transpires when an astrological influence is incited to action by contact with a circumstance of environment. The thought is based upon the theory that astrological influences have to do with the mental and emotional conditioning that determines the nature of the individual's reaction to circumstances, but that they do not of themselves produce events..."

Sam Renseiw exploring the basics of understanding the role of the Vital Force, the law of similars and resonance and the process of the cure. Watch the videographic attempt here or click on the hands above. (patafilm 123, 01'08'', 4.6 MB, mov/quicktime) / relinked 02.10.15

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Thursday, December 08, 2005

Matisse's uncertainties



" Matisse's art, with its spectacular immediacy and its mysterious depths, poses confounding problems for analysis. The intuitive character of his structures and the elusive nature of his themes renders most art historical approaches to the study of forms and symbols pretty much useless. Picasso's themes, with their collage of traditional signs and symbols, are far more susceptible to iconographic analysis than anything in Matisse. The analytical cubism of Picasso and Braque, with its thoroughgoing rejection of traditional perspective, can be studied as an inversion of Renaissance norms, using the same tools that one uses to study those norms. But in Matisse's case, the solutions that he arrives at are always confoundingly particular, and tend to be unrelated to anything like a system of ideas. Intuition is his only system."

Gertrude S.’s fine portrait of Henri Matisse’s struggle, depicted in depth by Sam Renseiw. A moving capture; Click here to view, or tickle the feet above.

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The gravamen of taste



What is the gravamen of taste? In a word, it is the body. Again and again Geoffrey Scott came back to the importance of the human body as the indispensable measure in architecture. The needs and dispositions of the human spirit incarnate—which means both a body in space and a body registering, contemplating space—provide the measure of that bedrock architectural value, the appropriate…..

Another Renseiw visual, supplementing the hazy forum for The Study of the History of Taste. Click here, or enter in the cave above...

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To engage successfully in embodied cognition



" Philosophically, Plotinus argued that postulating Forms without a superordinate principle, the One, which is virtually what all the Forms are, would leave the Forms in eternal disunity. If this were the case, then there could be no necessary truth, for all necessary truths, e.g., 3 + 5 = 8, express a virtual identity, as indicated here by the ‘=’ sign. Consider the analogy of three-dimensionality and solidity. Why are these necessarily connected in a body such that there could not be a body that had one without the other? The answer is that body is virtually three-dimensionality and virtually solidity. Both three-dimensionality and solidity express in different ways what a body is.
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Another Renseiw flicker: an ephemeral translation of a recent choreographic bout, with soundtrack by Casper C. Enter here or click on the luminosity above.

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