On blind voodler and mermaids

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" The sensual eye is just like the palm of the hand. The palm has not the means of covering the whole of the beast...The eye of the Sea is one thing and the foam another. Let the foam go, and gaze with the eye of the Sea. Day and night foam-flecks are flung from the sea: of amazing! You behold the foam but not the Sea. We are like boats dashing together; our eyes are darkened, yet we are in clear water.. [So oft in voodle squabble,/The disputants, I ween,/Rail on in utter ignorance/Of what each other mean,/And prate about a mermaid/Not one of them has seen-in real-]

I the course of a recent fine re-union visit, Sam Renseiw joined the merry crowd for a bout of mermaid spotting; Under the present circumstances, it resulted in a somehow simultaneous scattering of spaces. View the synthesis voodle, combining thesis and antithesis into a titillatingly dialectic moving still by cicking here or on the links above. (patafilm # 775,02'39'', 32MB, Quicktime/mov - other versions at Blip.tv)

Today's Bonus Lumiere Video feature a surprizing gaze on urban shores, with angelus novus view. (lum #275 "bergen funicular" 01'00' 12MB, quicktime/mov)

On mermaid moves

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" My voodles serve as elucidations in the following sense: anyone who understands me eventually recognises them as nonsensical, when viewed - as steps - to climb up beyond them. (He/She must, so to speak, throw away the ladder after climbing up - He/She must transcend the voodlings, and then he/she will see the world aright."

Sometimes the purpose of vodling could also be plain documentarism, muses Sam Renseiw, having concocted a dub-step visual of a particular local/global historical event: capturing morning footage in fine spring weather & adding the blunt fact at the end of the day. While waiting for the replacement, view the Mermaid's private moment(s) shortly before the Shanghai relocation ceremony by clicking here or on the links above. (patafilm # 757, 02'43'', 32Mb, Quicktime/mov - other versions at Blip.tv)

Today's two(2) Bonus Lumiere Videos likewise features agitated moment(s) of Mermaid day.(Lum # 260a here & Lum # 260b here, Quicktime/mov, <>

On the revolution(s) of everyday life

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"Spontaneity is the mode of existence of creativity; not an isolated state, but the unmediated experience of subjectivity. Spontaneity concretizes the passion for creation and is the first moment of its practical realization: the precondition of Voodle, of the impulse to re-view the world in accordance with the demands of radical subjectivity. The qualitative exists wherever creative spontaneity manifests itself. It entails the direct communication of the essential. It is Voodle's chance. A crystallization of possibilities, a multiplier of knowledge and practical potential, and the proper modis operandi of space awareness. Its criteria are sui generis. The qualitative leap precipitates a chain reaction; Voodling is the organizer of creative spontaneity to the extent that it reinforces spontaneity's hold on reality. Voodling is an act which engenders new realities..."

Yet it all devellops from the apparent banality of the quotidian, muses Sam Renseiw while montaging recorded intricacies of around-mermaid-revolving moves. View the ritual assessment of an indian spring by cliking here or on the links above.(patafilm # 680, 02'39'', 27.4 MB, Quciktime/mov - other versions at Blip.tv)

Today's Bonus Lumiere Video features controlled revolutions, passing by (Lum # 195 " 01'00'', 6.3 MB, Quicktime/mov)

On banal repetition(s)

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"Repetition is a huge world and creating something which is repetitive and still exiting is a challenge. Repetition forces the camera to focus on the essence, since it exposes every detail again and again."

Recording once again the repetitive mermaid rituals at Langelinie, Sam Renseiw focused on triptic footage. view the posing(s) by cliking here or on the links above. (patafilm # 432, 03'03'' 13.9 MB, Quicktime/mov - Flash version at blip.tv)