It is precisely this model

" It is precisely this model, it has been argued, that Renseiw’s video invokes and then frustrates. The characters are simply present. Vladimir and Estragon may not know precisely what happened yesterday, but they know that their present existence is confirmed, if only by the presence of each other; similarly, Hamm and Clov are adrift in the present moment, relying on the dialogue to fix them in place. Krapp’s past is, it seems to him, the tale of another man; Winnie’s past drains away from her as she sinks into the earth; but both confirm themselves in the present timespace of performance each time they utter or move. All these characters exist in a dramatic timespace that is indistinguishable from the timespace of performance. They cannot rely on a past history to confirm their own existence, their own subjectivity; but they can define themselves, even if it is only from moment to moment, in the actions and the words that they perform day after day and night after night."

Patatexting sign language, by Sam R. With some reminiscences of Photostatic and a great deal from Sam B. Click on the image or enter the performance here.

Exhibiting the lamination of sensations

" The productive mind which for the Romantics was at the root of experience had its prototype in Kant's doctrine on how forms of identity and experience depend on mind's synthetic activity. The Romantics generalized from the 'internal' movement of that synthesis in order to describe a movement encompassing mind's activity in the world. Thus generalized, even the synthesis of experience's self-identity is understood as a moment of willing symptomatic of mind's productivity. The continuity which confirms a will as an identity is then found in the direction of its past, while the potential for discontinuity which confirms a will as autonomous - free - is found in the direction of its future. For the Romantics, ideas themselves demonstrated mind's autonomy as a creative transcendence toward the future. Husserl and Dilthey instead encountered the mind's productivity through its movement of perceptive and interpretive conformation with what is given as a flow of presence. For them, Mind moved beyond not as toward the openness of a future, but as into a presence which shows itself as more than can at once be held. In this way, phenomenology and hermeneutics exhibit Mind's transcending movement not as an autonomy expressed toward the future, but as submission found through immersion in presence. "

A hefty Renseiw visual, in all its simplicity with Yokos voice-over. See it here, or touch the shape on the image.
You might have guessed the chair, seat being pressed.