The rehearsal - Physisonochromie III

click for video: Quicktime / Flash / Blip.tv = direct streaming for Pc

" I was about thirteen when I read an article in Look about Sam Goody's Record Store in New York. My memory is not too clear on the details, but I recall it was praising the store's exceptional record merchandising ability. One example of brilliant salesmanship described how, through some mysterious trickery, the store actually managed to sell an album called "Ionization". The article described the record as a weird jumble of drums and other unpleasant sounds."

Peeking into a rehearsal, Sam Renseiw caught some new nono-chromatic Swedish tunes, and very much hopes to get tickets for Friday, since the performance would also include Edgard Varese's Deserts, complete with a Bill Viola piece. Sneak in for a preview Sound-Around musical voodle by clicking here or on the links above. (patafilm # 508, 02'00'', 12.3MB, Quicktime//mov - direct streaming for Pc at blip.tv)

To give form its own norm, again

“….These images are direct theory in the processes of the material working through the symptoms of spraypaint, the production of living signs, neither representational, metaphorical or symbolic. In their stress and distress they materialise a relationship between the restless abstracted flow of sound and image trace and more psychic disturbances. They concretise the possibility of a direct connection between lived experience, memory, the physical processes of making and the experience of viewing. There is an inscription of conditions that are conflicting and abstracted. Viewing can become a restless, nervy experience producing cognitive conditions that share the symptoms of some of theses coatings…” (1)

Sam R’s multi-layered quotes. Including Öyvind Fahlström and a humble homage to Dirk de Bruyn.Enter the spray chamber or click here for some color layers.

How I filmed some of my videos

“….Since Space is fixed around us, in order to explore it we must move in the vehicle of Duration. In kinematics Duration plays the part of an independent variable, of which the coordinates of the points considered are a function. Kinematics is a geometry in which events have neither past nor future. The fact that we create that distinction proves that we are carried along through them…”

A short view of a mechanistic punning device, probably shaped after Raymond Roussel’s perpetuum mobile engines. A Sam Renseiw enlightment, in patacolor. engage the machine or clik here to hear...