Saturday, March 24, 2012

On memories and poetic(s) of space(s)

"Our memories are encumbered with facts. Beyond the recollections we continually hark back to, we should like to relive our suppressed impressions and the dreams that made us believe in happiness: Ou vous ai-je perdue, mon imagerie pietinee (Where did I lose you, my trampled fantasies?) If we have retained an element of dream in our memories, if we have gone beyond merely assembling exact recollections, bit by bit the house that was lost in the mists of time will appear from out the shadow. We do nothing to reorganize it; with intimacy it recovers its entity, in the mellowness and imprecision of the inner life. It is as though something fluid had collected our memories and we ourselves were dissolved in this fluid of the past."

Re-collecting and montageing recent footage with batches from before christmas, Sam Renseiw continues the disparate quest of investigative voodling of body-space morphologies; View the present edit of the inside of a famous church with angel clippings by cliking here or on the links above.(patafilm # 846, 06'30'', 111MB, Quicktime/mov - Other versions at bliptv)

Today's Bonus Lumiere Video features a serene moment of local (red) spring (Lum # 336, 00'47'', 12MB, Quicktime/mov)


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Sunday, April 29, 2007

On the impression of plenitude


click for: Quicktime version / Flash version

" Both musical unity and musical structure are facilitated by the clear and distinct arrangement of tonal properties. Thus, the greater a musical passage can be anticipated, the more likely we sense it as being temporally continuous. And central to this anticipatory aspect is the employment of tonality, obeying the logic of modulation, succession, and resolution."

Beneath the impression of plenitude while walking along Thorvaldsen's scupltures, Sam Renseiw's captured footage reveals a lines of discontinuity where the things change, even though they seemingly remain the same. View the Rytm of Duration by clicking here or on the links above. (patafilm # 400, 01'57'', 7 MB, Quicktime/mov - Flash version at Blip.tv)

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