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"The assembled material is extra-ordinary, on many levels. Not necessarily in size, but certainly in depth. […] On first glance, one might be struck by a seemingly anachronistic stance inherent in the material. In conception and obviously manufacture, a certain delightful time lag is ubiquitously present. It is the firm constancy of theses markers that acts as benevolent alonge, freshly propelling the work(s) into new, and more timely territories of classification. […] There is, obviously, one pivotal condition at stake. Acting as a magnanimous, crucial amalgam ingredient, the carefully crafted Artworks, ooze with refined discharges, to maintain a chartered, unflinching course. Encompassing a longing for “erotics of art instead of hermeneutics”, the overlapping works by POF and ERF establish broader territories of sensuous presence…"After some arduous and intense work participating in the setting-up of Studiowork, Sam Renseiw montaged the first bouts of footage into a short trailer. Enter a moment of intense interior views with fine perhaps by clicking here or on the links above. (patafilm # 837,02'02'', 36MB, Quicktime/mov - other versions at Bliptv)Today's Bonus Lumiere Video features another sort of closing/opening.(Lum # 329, 01'00'',"unseenremains", 12MB, Quicktime/mov) Labels: architecture, emily randal fjeld, etude 1, interior architecture, karin gille, pataphysics, per olaf fjeld, perich, presence, SMD, studiowork, unseen remains